606
Bedienungsanleitung
Instructions for use
Notice d`emploi
Istruzioni per l`uso
Instrucciones para el uso
Gebruiksaanwijzing
e606.book Seite 1 Donnerstag, 16. Dezember 2004 8:41 08
Bedienungsanleitung.............................................................. 3
Instructions for use ................................................................. 9
Notice d'emploi ......................................................................15
Istruzioni per l'uso.................................................................21
Instrucciones para el uso......................................................27
Gebruiksaanwijzing...............................................................33
e606.book Seite 2 Donnerstag, 16. Dezember 2004 8:41 08
9
606
The
606 is a dynamic microphone with super-cardioid
pick-up pattern, offering a particularly direct sound when
miking
guitars
amps.
The
lightweight
voice
coil
construction and rigid dome provide an extended high
frequency performance.
Its laterally mounted capsule has been specially
developed for miking guitars amps face-on and and
extremely close to the signal source. The super-cardioid
pick-up pattern provides good isolation from other on-
stage signals.
Due to its flat design, the
606 is easy to position.
Features
Rugged metal body
Shock-mounted capsule
Super-cardioid pick-up pattern
Hum compensating coil
Delivery includes
606 microphone
Pouch
Instructions for use
Warranty Certificate
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10
Positioning the microphone
Loudspeaker of a guitar amplifier
In order to prevent interference due to crosstalk between
adjacent sound sources, try to position the microphone so
that the interfering sound source is located in the angle
area of the highest cancellation of the microphone
(approx. 135°; see polar diagram)
Position
Resulting sound
Commentary
Many trebles,
aggressive sound
Microphone directed
towards the dome of
the loudspeaker.
Less trebles, more
lower mids,
smoother sound
Balanced, natural
sound
Good starting position:
Microphone directed
towards the middle
between dome and
edge of the loud-
speaker. If necessary,
turn the microphone by
approx. 30° towards
the edge.
Less trebles, more
lower mids,
smoother sound
Microphone directed
towards the edge of
the loudspeaker.
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11
Polar diagram
Frequency response curve
°
5
10
15
20
25
dB
30°
60°
90°
30°
60°
90°
120°
150°
180°
150°
120°
2000 Hz
4000 Hz
8000 Hz
16000 Hz
125 Hz
250 Hz
500 Hz
1000 Hz
- 50
- 60
- 70
- 80
- 90
20
50
100
200
500
1000 2000
5000 10000 20000 Hz
0°, 1 m
0°, 5 cm
- 40
dBv
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